SOTERO. PROCESO DE CREACIÓN DE UN DOCUMENTAL, CONTEXTUALIZACIÓN Y ANÁLISIS

Abstract

[EN] This project starts randomly produced by a camera that does not pro - perly correspond to a photography. They are found paintings to be digita - lly recorded crossing the screen, leaving the pixel searching for a tangible universe, a physical space, palpable. Moving between digital and analog world. The light in RGB format becomes CMYK format by print, transfer and the painter’s hand. The project is developed to find ways of representa - tion of digital images that emit light, materializing through the pigment. The image is constantly changing due to they are traces of each process which compose it. These traces come from some random processes, when they leave the screen they are located on a physical surface that acquire pictorical qualities. As Juan Martin Prada reflects on “ dar piel a la imagen mediante la impresión” : in a specific way the image goes from emit light to receive and reflect it.

[ES] This project starts randomly produced by a camera that does not pro - perly correspond to a photography. They are found paintings to be digita - lly recorded crossing the screen, leaving the pixel searching for a tangible universe, a physical space, palpable. Moving between digital and analog world. The light in RGB format becomes CMYK format by print, transfer and the painter’s hand. The project is developed to find ways of representa - tion of digital images that emit light, materializing through the pigment. The image is constantly changing due to they are traces of each process which compose it. These traces come from some random processes, when they leave the screen they are located on a physical surface that acquire pictorical qualities. As Juan Martin Prada reflects on “ dar piel a la imagen mediante la impresión” : in a specific way the image goes from emit light to receive and reflect it.