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Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta

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Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta

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Torán Tortajada, C. (2017). Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta. EME Experimental Illustration, Art & Design. (5):68-77. doi:10.4995/eme.2017.6918

Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/81440

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Title: Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta
Secondary Title: Records, art and racism: introduction to the protest graphics of the 70s free jazz
Author:
Issued date:
Abstract:
[EN] This article is a preliminary research proposing us to take a trip through racism and art in the historical context of New York Free Jazz; ana-lysing it will allow us to understand the defin-ing characteristics and ...[+]


[ES] Este artículo trata de una investigación preliminar que propone un viaje por el racismo y el arte en el marco histórico del free jazz neoyorquino de los años setenta, cuyo análisis nos acercará al entendimiento de sus ...[+]
Subjects: Racism , Harlem renaissance , Free jazz , Graphic design , Record cover , Racismo , Diseño gráfico , Cubierta de disco
Copyrigths: Reconocimiento - No comercial (by-nc)
Source:
EME Experimental Illustration, Art & Design. (issn: 2253-6337 ) (eissn: 2341-3018 )
DOI: 10.4995/eme.2017.6918
Publisher:
Universitat Politècnica de València
Publisher version: https://doi.org/10.4995/eme.2017.6918
Type: Artículo

References

CARLÉS, PHILLIPE; COMOLLÍ, JEAN LOUIS: Free jazz, black power, Barcelona, Anagrama, 1973.

C. Driskell, DAVID; D. WILLIS, RYAN; D. LEVERING, LEWIS: Harlem Renaissance: Art of Black America, New York, The Studio Museum in Harlem, 1987.

GROOS, ULRIKE; BEKSTETTE, SVEN; MÜLLER, MARKUS: I Got Rhythm. Art and Jazz since 1920, Stuttgart, Prestel Ltd, 2015. [+]
CARLÉS, PHILLIPE; COMOLLÍ, JEAN LOUIS: Free jazz, black power, Barcelona, Anagrama, 1973.

C. Driskell, DAVID; D. WILLIS, RYAN; D. LEVERING, LEWIS: Harlem Renaissance: Art of Black America, New York, The Studio Museum in Harlem, 1987.

GROOS, ULRIKE; BEKSTETTE, SVEN; MÜLLER, MARKUS: I Got Rhythm. Art and Jazz since 1920, Stuttgart, Prestel Ltd, 2015.

H. Falk, Peter, M. LEWIS, AUDREY AND ROESSLER, VERONIKA: Who Was Who in American Art, 1564-1975: 400 Years of Artists in America, Madison, CT: Sound View Press, 1999.

Hoban, PHOEBE: Basquiat: A Quick Killing in Art, New York, Penguin, 2004.

J. Powell, RICHARD; M. MECKLENBURG, VIRGINIA: African American Art. Harlem Renaissance Civil Rights Era and Beyond, Washington D.C., Smithsonian American Art Museum, 2012.

LACKRITZ, GRAY MARY: A Guide to Chicago's Murals, Chicago, The University of Chicago Press, 2001.

Leggio, JAMES: Music and Modern Art, New York, Routledge, 2002.

M.Cassidy, DONNA: Jazz Representations and Early Twentieth-Century American Culture: Race, Ethnicity and National Identity, New York, Oxford University Press, 1988.

Prescott, KENNETH: The Complete Graphic Works of Ben Shahn, New York, Quadrangle, 1973.

REAGAN, KEVIN; STEINWEISS, ALEX; STEVEN, HELLER: Alex Steinweiss. The Inventor of the Modern Album Cover, Taschen, 2011.

VV.AA.: Jazz Gráfico. Dise-o y fotografía en el disco de Jazz. 1940-1968, Valencia, IVAM, 1999.

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