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Machines à exposer

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Machines à exposer

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dc.contributor.author Dumont d'Ayot, Catherine es_ES
dc.date.accessioned 2017-09-08T07:29:15Z
dc.date.available 2017-09-08T07:29:15Z
dc.date.issued 2016-03-03
dc.identifier.isbn 9788490483732
dc.identifier.uri http://hdl.handle.net/10251/86777
dc.description.abstract [EN] Exhibitions, museums, pavilions, artist ateliers, apartments and collectors’ villas: exposition runs like a red thread through Le Corbusier’s work. Man’s relationship to art is a fundamental element of architectural dispositifs. Art influences his vision of society as a whole, and museums are central to his major urban plans, from the ziggurat of the Musée Mondial in Geneva, to the museums in Ahmadabad, Tokyo or Chandigarh, to projects he realized in the late 1960s, such as the Museum of the 20th Century in Nanterre. The evolution of museum design between 1929 and 1965 and of the concepts Le Corbusier developed for the different exhibitions of his own œuvre are in keeping with his way of understanding the relationship to works of art, whether by the artist, a knowledgeable public or those encountering art for the first time. The sketches for the different museums and pavilions retrace this evolution. Karel Teige’s critique of the Mundaneum project assumes a key role in the transformation of the museum concept that occurred between the Musée Mondial of 1929 and Le Corbusier’s first designs for a Museum with Unlimited Growth in 1930. The architecture and the place for art in society are no longer determined by the use of a form but through a functional mechanism. Growth is understood as an image of the positive evolution of mankind. This seminal change is a key to the later projects. es_ES
dc.description.abstract [FR] Exhibitions, museums, pavilions, artist ateliers, apartments and collectors’ villas: exposition runs like a red thread through Le Corbusier’s work. Man’s relationship to art is a fundamental element of architectural dispositifs. Art influences his vision of society as a whole, and museums are central to his major urban plans, from the ziggurat of the Musée Mondial in Geneva, to the museums in Ahmadabad, Tokyo or Chandigarh, to projects he realized in the late 1960s, such as the Museum of the 20th Century in Nanterre. The evolution of museum design between 1929 and 1965 and of the concepts Le Corbusier developed for the different exhibitions of his own œuvre are in keeping with his way of understanding the relationship to works of art, whether by the artist, a knowledgeable public or those encountering art for the first time. The sketches for the different museums and pavilions retrace this evolution. Karel Teige’s critique of the Mundaneum project assumes a key role in the transformation of the museum concept that occurred between the Musée Mondial of 1929 and Le Corbusier’s first designs for a Museum with Unlimited Growth in 1930. The architecture and the place for art in society are no longer determined by the use of a form but through a functional mechanism. Growth is understood as an image of the positive evolution of mankind. This seminal change is a key to the later projects. es_ES
dc.language Francés es_ES
dc.publisher Editorial Universitat Politècnica de València es_ES
dc.relation.ispartof LE CORBUSIER. 50 AÑOS DESPUÉS es_ES
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject architecture es_ES
dc.subject le corbusier es_ES
dc.subject modern movement es_ES
dc.title Machines à exposer es_ES
dc.type Capítulo de libro es_ES
dc.type Comunicación en congreso es_ES
dc.identifier.doi 10.4995/LC2015.2015.1025
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Dumont D'ayot, C. (2016). Machines à exposer. En LE CORBUSIER. 50 AÑOS DESPUÉS. Editorial Universitat Politècnica de València. 578-600. doi:10.4995/LC2015.2015.1025. es_ES
dc.description.accrualMethod OCS es_ES
dc.relation.conferencename LC2015 - Le Corbusier, 50 years later es_ES
dc.relation.conferencedate November 18-20,2015 es_ES
dc.relation.conferenceplace Valencia, Spain es_ES
dc.relation.publisherversion http://ocs.editorial.upv.es/index.php/LC2015/LC2015/paper/view/1025 es_ES
dc.description.upvformatpinicio 578 es_ES
dc.description.upvformatpfin 600 es_ES
dc.type.version info:eu repo/semantics/publishedVersion es_ES
dc.relation.pasarela 1025 es_ES


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