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Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects

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Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects

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dc.contributor.author Campo-Ruiz, Ingrid es_ES
dc.date.accessioned 2017-09-13T06:27:31Z
dc.date.available 2017-09-13T06:27:31Z
dc.date.issued 2016-03-03
dc.identifier.isbn 9788490483732
dc.identifier.uri http://hdl.handle.net/10251/87134
dc.description.abstract [EN] Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently developed in Sweden and influenced by Le Corbusier’s ideas and projects also impacted on the international architectural scene. This research analyses how the study of Le Corbusier’s works affected projects in Sweden from the 1920s to the 1970s and how they also became an international standard. Le Corbusier’s works provided a kind of prototype, with which Swedish architects experimented in alternative ways. During the 1920s, Le Corbusier’s Pavilion de l’Esprit Nouveau and the Stuttgart Weissenhofsiedlung impressed influential Swedish architect, including Uno Åhrén, Gunnar Asplund and Sven Markelius, who later became proponents of modernism in Sweden. The 1930 Stockholm Exhibition marked a breakthrough for functionalism in Sweden. After 1930, urban plans for Stockholm and its suburbs reflected some of Le Corbusier’s ideas, such as the urban plan by Sven Markelius, and Vällingby’s town centre by Leif Reinius and Sven Backström. After 1950, Léonie Geisendorf , Ralph Erskine, Sigurd Lewerentz and Peter Celsing placed considerable emphasis on rough texture in poured concrete. Lewerentz, who admired the works of Le Corbusier, designed the churches of Markuskyrkan in 1956 and St Peter’s in Klippan in 1966, with a wider international impact. Reyner Banham included several works by Le Corbusier and also Markuskyrkan Church by Lewerentz in his book The New Brutalism: Ethic or Aesthetic? in 1966 es_ES
dc.format.extent 13 es_ES
dc.language Inglés es_ES
dc.publisher Editorial Universitat Politècnica de València es_ES
dc.relation.ispartof LE CORBUSIER. 50 AÑOS DESPUÉS es_ES
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject architecture es_ES
dc.subject le corbusier es_ES
dc.subject modern movement es_ES
dc.title Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects es_ES
dc.type Capítulo de libro es_ES
dc.type Comunicación en congreso es_ES
dc.identifier.doi 10.4995/LC2015.2015.893
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Campo-Ruiz, I. (2016). Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects. En LE CORBUSIER. 50 AÑOS DESPUÉS. Editorial Universitat Politècnica de València. 272-284. https://doi.org/10.4995/LC2015.2015.893 es_ES
dc.description.accrualMethod OCS es_ES
dc.relation.conferencename LC2015 - Le Corbusier, 50 years later es_ES
dc.relation.conferencedate November 18-20,2015 es_ES
dc.relation.conferenceplace Valencia, Spain es_ES
dc.relation.publisherversion http://ocs.editorial.upv.es/index.php/LC2015/LC2015/paper/view/893 es_ES
dc.description.upvformatpinicio 272 es_ES
dc.description.upvformatpfin 284 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.relation.pasarela OCS\893 es_ES


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