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dc.contributor.author | Gorgeri, Fabiola | es_ES |
dc.date.accessioned | 2017-09-13T07:42:13Z | |
dc.date.available | 2017-09-13T07:42:13Z | |
dc.date.issued | 2016-03-03 | |
dc.identifier.isbn | 9788490483732 | |
dc.identifier.uri | http://hdl.handle.net/10251/87162 | |
dc.description.abstract | [EN] In the urban project of Le Corbusier the relationship between new and existing is opportunity of poetic composition. The real traces of the past of one place are transformative tools by which the new project is developed. The projects after World War II, like reconstruction project of Saint-Dié, are occasions to reflect about the new urban developments, rapid and extensive, and the relation of them with the landscape in a new territorial vision. The fragments of past and the new buildings are seen like belonging to a same context of reference and the entire urban composition forming part of a landscape on more large scale. Therefore, the urban project is an ensemble of architectural objects and nature that are held together by calculated visual relation. It is a kind of montage of urban views related to the dimension and measure of the human subject, like visual points or pedestrian paths. Memory and change are linked together by the natural history process and commensurate also to the human measure by a three dimension urbanism where the architecture can anew make the city. | es_ES |
dc.description.abstract | [ES] In the urban project of Le Corbusier the relationship between new and existing is opportunity of poetic composition. The real traces of the past of one place are transformative tools by which the new project is developed. The projects after World War II, like reconstruction project of Saint-Dié, are occasions to reflect about the new urban developments, rapid and extensive, and the relation of them with the landscape in a new territorial vision. The fragments of past and the new buildings are seen like belonging to a same context of reference and the entire urban composition forming part of a landscape on more large scale. Therefore, the urban project is an ensemble of architectural objects and nature that are held together by calculated visual relation. It is a kind of montage of urban views related to the dimension and measure of the human subject, like visual points or pedestrian paths. Memory and change are linked together by the natural history process and commensurate also to the human measure by a three dimension urbanism where the architecture can anew make the city. | es_ES |
dc.format.extent | 17 | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Editorial Universitat Politècnica de València | es_ES |
dc.relation.ispartof | LE CORBUSIER. 50 AÑOS DESPUÉS | es_ES |
dc.rights | Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) | es_ES |
dc.subject | architecture | es_ES |
dc.subject | le corbusier | es_ES |
dc.subject | modern movement | es_ES |
dc.title | Memory and change through Le Corbusier. Fragments of urban views | es_ES |
dc.type | Capítulo de libro | es_ES |
dc.type | Comunicación en congreso | es_ES |
dc.identifier.doi | 10.4995/LC2015.2015.927 | |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Gorgeri, F. (2016). Memory and change through Le Corbusier. Fragments of urban views. En LE CORBUSIER. 50 AÑOS DESPUÉS. Editorial Universitat Politècnica de València. 880-896. https://doi.org/10.4995/LC2015.2015.927 | es_ES |
dc.description.accrualMethod | OCS | es_ES |
dc.relation.conferencename | LC2015 - Le Corbusier, 50 years later | es_ES |
dc.relation.conferencedate | November 18-20,2015 | es_ES |
dc.relation.conferenceplace | Valencia, Spain | es_ES |
dc.relation.publisherversion | http://ocs.editorial.upv.es/index.php/LC2015/LC2015/paper/view/927 | es_ES |
dc.description.upvformatpinicio | 880 | es_ES |
dc.description.upvformatpfin | 896 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.relation.pasarela | OCS\927 | es_ES |