Resumen:
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[EN] About a relationship between painting/music, building sonorous-paintings. Involving
literature, performance, dance and robotics, also, in a pseudo-metropolitan environment. A
mixed result by using different Chinese ...[+]
[EN] About a relationship between painting/music, building sonorous-paintings. Involving
literature, performance, dance and robotics, also, in a pseudo-metropolitan environment. A
mixed result by using different Chinese concepts, but presented alongside Western solutions in
symbiosis. Based on the poem Bā yīn (八音) “Eight sounds”, from The Sanzijing, (三字经), ThreeCharacter
Classic, by Wang Yinglin (Southern Song Dinasty). Literary gem of Chinese culture,
created to embody the neo-Confucian ideal of uniting education and moral philosophy. Any
aspect in Chinese culture isn´t an isolated phenomenon but rather a contextual part related to
diverse aspects of life: emerging special kind of cosmogonist systems. While rhythm and melody
were developed in Western, the timbre (tonal color) reached a high sophistication in China: an
oeuvre becomes different if its instrumentation is altered. The project takes those approaches
to face music and painting, each other, while both of them emerge, develop, demonstrate and
perform in unison, in a parallel and mutually binding manner. Our project bā yīn2
is a system,
as well, and is able to be showed as 4 audiovisual formats and 8 strictly visual formats, as well.
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[ES] Una relación pintura-música construyendo 8 cuadros sonoros e implicando literatura, performance, danza y robótica en un entorno pseudo-metropolitano. Resultado mixto usando conceptos chinos presentados con soluciones ...[+]
[ES] Una relación pintura-música construyendo 8 cuadros sonoros e implicando literatura, performance, danza y robótica en un entorno pseudo-metropolitano. Resultado mixto usando conceptos chinos presentados con soluciones Occidentales en mutua simbiosis. Basado en el poema Bā yīn (八音) “Ocho sonidos” contenido en Sanzijing (三字经) El Libro de los Tres Caracteres, Wang Yinglin (Dinastía Song del Sur). Joya literaria que encarna el ideal neo- Confucionismo de aunar educación, moral y filosofía. Cualquier aspecto en la cultura china no es un fenómeno aislado, sino parte contextual referida a aspectos vitales: emergen peculiares sistemas cosmogónicos. Mientras ritmo y melodía son desarrollados en Occidente, el timbre chino (color tonal) alcanza tal sofisticación que una obra se convierte en otra diferente si se altera su instrumentación. El proyecto aprovecha estos planteamientos para carear música y pintura mientras surgen, se desarrollan, muestran y desenvuelven al unísono. Vinculantes pero siguiendo una maniobra de recíproca anulación que alude al eterno ciclo vital. Nuestro proyecto bā yīn1 también es un sistema y se presenta bajo 4 formatos audiovisuales y 8 formatos meramente visuales
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