Quintana Guerrero, Ingrid(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] With Marseille Housing Unit, the Atelier Le Corbusier began a transformation of its staff and methods. Frequently,
this phase is known as Le Grand Atelier, receiving new challenges during its ending, and conceiving ...
Cova Morillo, Miguel Angel(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] : From the pages of L'Esprit Nouveau and inspired by films, Elie Faure coined the term "cineplástique" to refer to
the combination betweenimages and music, similarly to theMethode Dalcroze in dancing. Le Corbusier, ...
Saldarriaga, Juan(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The design process for the CCVA begins with two phrases that Le Corbusier writes during his first visit to the site
in 1959. Only five months later the first drawings appear. Hence the relationship of the building ...
Saseta Naranjo, Albertina(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] It is imagined to be a Le Corbusier employee who is commissioned to draft a house based on some original
drawings. These drawings are made by Le Corbusier in 1942, during his stay in Algeria, and refer to a house ...
[EN] The vertical " hameau" of Le Corbusier is a prototype of collective housing, developed as a plastic alternative to
“Unité d’habitation de grandeur conforme", perhaps his most synthetic work. The residential tower is ...
Hermosilla, Germán(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] This paper explores the particular way of drawing the architecture Le Corbusier: a synthesis of different graphic
traditions acquired in his youth and which he was able to integrate coherently in a very personal ...
Alonso García, Eusebio(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] It is analysed the role of the public space in different works of Le Corbusier, in their different categories -
landscape, urban space, collective, community, meeting and relationship, social, circulatory, etc. - and ...
Chacón, José(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] In 1936 the Convegno Volta took place in Rome and it was dedicated to discuss the relationship between
architecture and the figurative arts. Among the participants there was Le Corbusier, who presented a speech where ...
Martínez Medina, Andrés(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] A tour through the production of Le Corbusier shows the insistent presence of the square as a basis of compositions
in various fields (urban planning, architecture, painting, furniture...) and in different formats ...
Ponta, Radu(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The paper focuses on Le Corbusier as author of books and looks at his inverted image such as it is developed in the
Romanian architecture culture. The idea arises from the curious fact that the professional literature ...
Larumbe, Teresa(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Along his personal search for an ideal and universal order, Le Corbusier constantly refers to the use of the tracés
regulateurs, as a mathematical tool with which the architect can manage his creative impulse and as ...
[EN] Following a seven year period dedicated to the creation and development of nineteen manuscript poems, which
today are considered a synthesis of his thinking, in 1955 Le Corbusier published his Poème de l´Angle Droit. ...
Campo-Ruiz, Ingrid(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent
developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently ...
Carro Gil, Federico; Navarro Pérez, Miguel; Mompó García, Marta Lidón(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The Mosque of Cordoba, the paradigm of Mat- Building and the invitation to the game, are behind a work whose
membership lecorbuseriana orbit should be fully recognized: the Feria de Valencia (1967) of Guillermo Jullian ...
Miralles Jori, Roger(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] : The first objective of this paper is to understand the evolution of the idea of promenade in Le Corbusier’s critic.
The paper follows how the idea has changed from the movement to the picturesque, to the cinematographic ...
Barberá Pastor, Carlos(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] : The text, entitled Photographs that severed a look at Le Corbusier, analyzes some pictures to houses built by Le
Corbusier and Pierre Jeanneret. The photographs have common characteristics that lead to the ...
Livesey, Graham; Moulis, Antony(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] As a major figure of international modernism, Le Corbusier’s work has been subject to extensive critique and
review both during his lifetime and since, to the extent that he has become the world’s most studied 20th ...
Sepe Camargo, Gabriel(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The main hypothesis of this paper is that in the image of the Open Hand it is possible to find the reconciliation
between two significant themes of the symbolic universe engendered by Le Corbusier: instrumentality ...
Duport, Laurent(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Born in Baku in 1913 Georges Candilis is an architect of Greek origin who studied at the Polytechnic School of
Athens where he met Le Corbusier in 1933 at the 4th Congress of CIAM. Arrived in Paris in 1945 he joined ...
Gómez García, Alejandro(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] This article analyzes the sketches about the project first versions of the Cité de Refuge in Paris, unveiling the
successive strategies used in the design process as well as the genesis of the proposal finally built. ...