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The drawing of the ellipse in the painting until Caravaggio

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The drawing of the ellipse in the painting until Caravaggio

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Fraga, F.; Amado Lorenzo, A.; Colón Alonso, M. (2020). The drawing of the ellipse in the painting until Caravaggio. EGA Expresión Gráfica Arquitectónica. 25(38):112-125. https://doi.org/10.4995/ega.2020.11420

Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/139166

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Title: The drawing of the ellipse in the painting until Caravaggio
Secondary Title: El trazado de la elipse en la pintura hasta Caravaggio
Author: Fraga, Fernando Amado Lorenzo, Antonio Colón Alonso, Marta
Issued date:
Abstract:
[EN] The circle is present in a great number of elements in our environment. As it has to be seen in perspective, is perceived by the eye as a perfect ellipse, one can assure that the latter is the most frequent in ...[+]


[ES] El círculo está presente en infinidad de elementos de nuestro entorno. Debido a que, visto en perspectiva, es percibido por el ojo como una elipse perfecta, no es descabellado afirmar que esta última es la curva más ...[+]
Subjects: Pintura , Perspectiva , Elipse , Geometría , Caravaggio , Painting , Perspective , Ellipse , Geometry
Copyrigths: Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
Source:
EGA Expresión Gráfica Arquitectónica. (issn: 1133-6137 ) (eissn: 2254-6103 )
DOI: 10.4995/ega.2020.11420
Publisher:
Universitat Politècnica de València
Publisher version: https://doi.org/10.4995/ega.2020.11420
Type: Artículo

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