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From the cave to the virtual museum: accessibility and democratisation of Franco-Cantabrian Palaeolithic art

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From the cave to the virtual museum: accessibility and democratisation of Franco-Cantabrian Palaeolithic art

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dc.contributor.author García-Bustos, Miguel es_ES
dc.contributor.author Rivero, Olivia es_ES
dc.contributor.author García Bustos, Paula es_ES
dc.contributor.author Mateo-Pellitero, Ana María es_ES
dc.date.accessioned 2023-01-31T08:06:03Z
dc.date.available 2023-01-31T08:06:03Z
dc.date.issued 2023-01-18
dc.identifier.uri http://hdl.handle.net/10251/191526
dc.description.abstract [EN] Palaeolithic art is a cultural manifestation of great importance to understanding the early history of our species. Through this artistic phenomenon, one can study aspects such as long-distance contacts, evidence of learning or the perception with which Palaeolithic humans were able to execute and memorise such precise details. However, there are few virtual repertoires that offer collections of Palaeolithic art. Accessibility to this type of archaeological remains is even more difficult considering conservation is prioritised over tourist visits. For these reasons, Palaeolithic art is today a type of cultural asset that is largely unknown to the population. The project "PaleoArt-3D: regreso al pasado" was created with the aim of democratising this heritage and making it more accessible. To this end, a virtual museum has been developed to exhibit digital models of parietal and portable art with complementary annotations for each one. The methodology includes a first stage dedicated to digitising examples of Palaeolithic art in caves or open-air stations and exhibited in Spanish and French museums. Next, the necessary infrastructure was designed to house the exhibition using specific software such as Blender. Post-processing tasks were carried out to reducing the number of polygons without losing quality. Finally, the museum has been uploaded to the Sketchfab platform to make it freely available online. It is hoped that this virtual museum will contribute to promoting and creating a more significant number of digital resources related to Palaeolithic art that are easily accessible to the public. Highlights: Despite being a transcendental cultural manifestation in the history of humanity, there are hardly any open-access virtual repertoires of Palaeolithic art. The numerous photogrammetric studies carried out in successive archaeological campaigns to answer scientific questions can be used in educational and dissemination projects. In the framework of the authors outreach project called "PaleoArt-3D: regreso al pasado" a virtual museum has been created to make Palaeolithic art a more accessible and democratic heritage. es_ES
dc.description.abstract [ES] El arte paleolítico es una manifestación cultural de gran importancia para comprender los primeros momentos de nuestra especie. Gracias a este fenómeno artístico podemos estudiar aspectos como los contactos a larga distancia, las evidencias de aprendizaje o la percepción con la que podían ejecutarse y memorizarse detalles tan precisos. Sin embargo, son pocos los repertorios virtuales que ofrecen colecciones que incluyan piezas de arte paleolítico. La accesibilidad a este tipo de vestigios arqueológicos es incluso más difícil si tenemos en cuenta que se prioriza la conservación frente a las visitas turísticas. Por estos motivos, el arte paleolítico es hoy un tipo de bien cultural muy desconocido por la población. El proyecto "PaleoArt-3D: regreso al pasado" nace con el objetivo de democratizar este patrimonio y hacerlo más accesible. Para ello se ha creado un museo virtual donde se exponen modelos digitales de arte parietal y mueble con anotaciones complementarias para cada uno. La metodología comprende una primera etapa dedicada a la digitalización de las muestras expuestas tanto en cuevas y estaciones al aire libre como en museos españoles y franceses. Seguidamente se ha creado la infraestructura necesaria para alojar la exposición utilizando softwares específicos como Blender. Las tareas de postprocesado se han llevado a cabo con el objetivo de disminuir el número de polígonos sin perder calidad. Finalmente, el museo se ha subido a la plataforma Sketchfab para que esté disponible de forma online y gratuita. Se espera que este museo virtual contribuya a impulsar la creación de un mayor número de recursos digitales que tengan que ver con el arte paleolítico y a los que la población pueda acceder fácilmente. es_ES
dc.description.sponsorship This publication is part of the I+D+i PDC2021-121501-I00, funded by MCIN/AEI/10.13039/501100011033/ and by “Unión Europea NextGenerationEU/PRTR”. This work was also supported by the Education Department in the Junta de Castilla y León and the European Social Fund (ORDEN EDU/875/2021) through a contract for a pre-doctoral researcher. The creation of the virtual museum is part of the scientific dissemination project "Paleoart-3D: regreso al pasado” selected in the III Convocatoria de ayudas a la divulgación científica, tecnológica e innovadora de la Unidad de Cultura Científica y de la Innovación de la Universidad de Salamanca. We would also like to thank the two anonymous reviewers and the editor for their corrections and suggestions. es_ES
dc.language Inglés es_ES
dc.publisher Universitat Politècnica de València es_ES
dc.relation.ispartof Virtual Archaeology Review es_ES
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject Virtual museum es_ES
dc.subject Virtual exhibition es_ES
dc.subject Palaeolithic art es_ES
dc.subject Parietal art es_ES
dc.subject Portable art es_ES
dc.subject Photogrammetry es_ES
dc.subject Museo virtual es_ES
dc.subject Exposición virtual es_ES
dc.subject Arte paleolítico es_ES
dc.subject Arte parietal es_ES
dc.subject Arte mueble es_ES
dc.subject Fotogrametría es_ES
dc.title From the cave to the virtual museum: accessibility and democratisation of Franco-Cantabrian Palaeolithic art es_ES
dc.title.alternative De la cueva al museo virtual: accesibilidad y democratización del arte paleolítico franco-cantábrico es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.4995/var.2023.17684
dc.relation.projectID info:eu-repo/grantAgreement/AEI//PDC2021-121501-I00 es_ES
dc.relation.projectID info:eu-repo/grantAgreement/Junta de Castilla y León//EDU%2F875%2F2021 es_ES
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation García-Bustos, M.; Rivero, O.; García Bustos, P.; Mateo-Pellitero, AM. (2023). From the cave to the virtual museum: accessibility and democratisation of Franco-Cantabrian Palaeolithic art. Virtual Archaeology Review. 14(28):54-64. https://doi.org/10.4995/var.2023.17684 es_ES
dc.description.accrualMethod OJS es_ES
dc.relation.publisherversion https://doi.org/10.4995/var.2023.17684 es_ES
dc.description.upvformatpinicio 54 es_ES
dc.description.upvformatpfin 64 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 14 es_ES
dc.description.issue 28 es_ES
dc.identifier.eissn 1989-9947
dc.relation.pasarela OJS\17684 es_ES
dc.contributor.funder Agencia Estatal de Investigación es_ES
dc.contributor.funder European Regional Development Fund es_ES
dc.contributor.funder Junta de Castilla y León es_ES
dc.contributor.funder Universidad de Salamanca es_ES
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