Resumen:
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[EN] The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and
complex and, although the subject of numerous publications and research since the late 60s, still arouses much ...[+]
[EN] The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and
complex and, although the subject of numerous publications and research since the late 60s, still arouses much interest, as
evidenced by the many events organized in the last years - "Le Corbusier. Vue sur la mer ", Maison La Roche, Paris, 2012;
"Construire the image: Le Corbusier et la Photographie", Musée des Beaux-Arts, the Chaux-de-Fonds, 2013; or the recent
"Le Corbusier and photography", IUAV, Venice, May 2015-. The paper, starting out from the researches already developed,
proposes a further reflection on the relationship between the Swiss architect and the photography, paying particular interest
to the shooting made in first person. The study analyzes the different approaches and the different subjects photographed in
the course of his life and it is proposed to include the work of Le Corbusier in the broader cultural context of the twentieth
century, a period in which the relationship between architecture and visual communication, thanks to the many possibilities
offered by technological innovations, it becomes increasingly close and inevitable
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[ES] The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and
complex and, although the subject of numerous publications and research since the late 60s, still arouses much ...[+]
[ES] The relationship between Le Corbusier and the visual arts (drawing, photography and cinema) is deep and
complex and, although the subject of numerous publications and research since the late 60s, still arouses much interest, as
evidenced by the many events organized in the last years - "Le Corbusier. Vue sur la mer ", Maison La Roche, Paris, 2012;
"Construire the image: Le Corbusier et la Photographie", Musée des Beaux-Arts, the Chaux-de-Fonds, 2013; or the recent
"Le Corbusier and photography", IUAV, Venice, May 2015-. The paper, starting out from the researches already developed,
proposes a further reflection on the relationship between the Swiss architect and the photography, paying particular interest
to the shooting made in first person. The study analyzes the different approaches and the different subjects photographed in
the course of his life and it is proposed to include the work of Le Corbusier in the broader cultural context of the twentieth
century, a period in which the relationship between architecture and visual communication, thanks to the many possibilities
offered by technological innovations, it becomes increasingly close and inevitable
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