[EN] This paper explores the dynamic and tactile values that may be involved in the historical emergence of the line as a fundamental graphic resource. It attempts to look beyond the paradigm of visual-perceptual abstraction ...

[EN] This article covers, in chronological order, Alicante’s public graphic production related to urban planning and building, through the most compelling pieces, both for their relevance and repercussion at the time of ...

[EN] Gestalt theory laid the foundations to infer perceptual laws through empirical experiences relating the phenomenon of visual perception with epistemology. Thus, determining perceptual aspects involved in graphic design ...

[ES] El dibujo es quizás el medio más eficaz a través del cual el arquitecto puede transmitir sus ideas, adoptado como primordial instrumento de proyecto y consecuentemente responsable de la posterior materialización de ...

[EN] This communication is part of a wider investigation in the context of my Phd, supplemented by a series of interviews with Peter Cook, Rem Koolhaas and Bernard Tschumi. It is also a continuation and development of the ...

La presente comunicación relata las labores teóricas y conceptuales llevadas a cabo en el desarrollo de la elaboración del proyecto docente redactado para la asignatura Dibujo 1. Geometría y percepción, que se ha imparte, ...

[EN] Through the study of the unpublished drawings of the Pastoor Van Ars church in The Hague (shown here for the first time), this research approaches to the graphic strategy developed by one of the most influential ...

[EN] Although Panofsky¿s arguments have come under criticism for quite some time, they still seem to play a key role in the current disregard to perspective in architectural education. However, it is not clear that the ...

[EN] The publication of the last few years of Oscar Niemeyer’s life has provoked an altered vision of his graphic production. In this article, the different variants of the female drawing are analyzed, starting from its ...

[ES] Más allá de la mera representación gráfica, las nuevas herramientas digitales permiten también desarrollar la comunicación gráfica con procedimientos que le son propios y con recursos de gran capacidad narrativa. Entre ...