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Con A de animación - No 08 (2018): Marzo 2018: El retorno del 2D
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Con A de animación - No 08 (2018): Marzo 2018: El retorno del 2D: Enviados recientemente

Mostrando ítems 6-10 de 21

Desarrollando Porto: un videojuego sobre patrimonio cultural

Roque López, Miguel Ángel (Universitat Politècnica de València, 2018-03-01)

[EN] This paper introduces the results of a multidisciplinary proposal focused on the construction of a space for interaction between the cultural and artistic heritage of Porto and the user through the development of a ...
Recreando el fotorrealismo: la consultoría visual del director de fotografía Roger Deakins en Wall-E

Viñolo Locubiche, Samuel; Suárez Gómez, Rafael (Universitat Politècnica de València, 2018-03-01)

[EN] The rising dominance of CG film techniques in the early 2000s has led to an interesting artistic canon shift in animated commercial feature films produced in the US. Although Hollywood 2D animation always flirted with ...
La apuesta independiente de la animación europea, a través de El pan de la guerra

Ballester Cabo, Rosa (Universitat Politècnica de València, 2018-03-01)

[EN] The Breadwinner (Nora Twomey, 2017) is an Irish-Canadian film by Cartoon Saloon, with the cooperation of Angelina Jolie and Jordan Peele as executive producers. The movie adapts Deborah Ellis’ best-seller novel, ...
Patchwork, remendando ideas y técnicas en un novedoso proyecto de animación

Manero Muro, María (Universitat Politècnica de València, 2018-03-01)

[EN] Patchwork (2018) is at the same time an animated documentary and a fictional short film, directed by María Manero about her mum life experience: Loly, a 60 years old housewife and mother. It is an ambitious Master ...
Más allá de las hurdes: Buñuel en el laberinto de las tortugas

Meneu Oset, Ignacio (Universitat Politècnica de València, 2018-03-01)

[EN] Extremadura had its leading role in the 30s thanks to the great filmmaker Luis Buñuel, who shot in 1932 his documentary Las Hurdes, tierra sin pan at one of the most Spanish depressed counties. The film could be done ...