[EN] The crossmedia narrative in the Japanese cultural industry is a phenomenon that adapts the same story through different formats, such as comics, animation films and series or video games, among others. Although the ...

El còmic japonés (manga) i la seua translació a l'animació (anime), son una passió que mou a molts joves, però també a altres que no ho son tant. Son els anomenats otakus. En japonés, el terme otaku, s'aplica a aquelles ...

[EN] Despite its popularity, there is limited information available about the particularities of the anime production model and the tools used during its meticulous creation process, in which traditional drawing and painting ...

[EN] This article examples contemporary anime scholarship and how it intersects with the political thought of philosopher and critic Walter Benjamin (1892-1940). By examining Benjamin’s writings on art and politics alongside ...

[ES] Una investigación en el desarrollo de la tecnología al servicio del arte y en cómo el proceso de renderizado ha tomado formas menos fotorrealistas con la intención de primar unos resultados más estéticos, pudiéndose ...

[ES] El objetivo principal de este trabajo es analizar el historial de producciones de la productora madrileña BRB Internacional realizadas en la década de los ochenta, principalmente las producidas junto al estudio japonés ...

[EN] Within the anime evolution, Kenzo Masaoka name is one of the most forgotten. The great pioneer and explorer of cell and sound techniques, Masaoka made a risky and transcendental decision when he decided to abandon the ...

[EN] This article uses Veronian notions of L-genre and P-genre to try to bring some light to the problem of the classification of genres in manga and anime. The essay strategically adopts the distinction between L-genre ...

[EN] Sara Carramiñana (Calahorra, 1981), has been animating in Japan for more than four years. She hold a Degree in Architecture and a Master's Degree in Animation from Universitat Politècnica de València. Her master degree ...